Monday, March 5, 2012

The Power (Outro) ; Childish Gambino



“This is on a bus back from camp. I’m thirteen and so are you. Before I left for camp I imagined it would be me and three or four other dudes I hadn’t met yet, running around all summer, getting into trouble. It turned out it would be me and just one girl. That’s you. And we’re still at camp as long as we’re on the bus and not at the pickup point where our parents would be waiting for us. We’re still wearing our orange camp t-shirts. We still smell like pineneedles. I like you and you like me and I more-than-like you, but I don’t know if you do or don’t more-than-like me. You’ve never said, so I haven’t been saying anything all summer, content to enjoy the small miracle of a girl choosing to talk to me and choosing to do so again the next day and so on.A girl who’s smart and funny and who, if I say something dumb for a laugh, is willing to say something two or three times as dumb to make me laugh, but who also gets weird and wise sometimes in a way I could never be. A girl who reads books that no one’s assigned to her, whose curly brown hair has a line running through it from where she put a tie to hold it up while it was still wet.

Back in the real world we don’t go to the same school, and unless one of our families moves to a dramatically different neighborhood, we won’t go to the same high school. So, this is kind of it for us. Unless I say something. And it might especially be it for us if I actually do say something. The sun’s gone down and the bus is quiet. A lot of kids are asleep. We’re talking in whispers about a tree we saw at a rest stop that looks like a kid we know. And then I’m like, “Can I tell you something?” And all of a sudden I’m telling you. And I keep telling you and it all comes out of me and it keeps coming and your face is there and gone and there and gone as we pass underneath the orange lamps that line the sides of the highway. And there’s no expression on it. And I think just after a point I’m just talking to lengthen the time where we live in a world where you haven’t said “yes” or “no” yet. And regrettably I end up using the word “destiny.” I don’t remember in what context. Doesn’t matter. Before long I’m out of stuff to say and you smile and say, “okay.” I don’t know exactly what you mean by it, but it seems vaguely positive and I would leave in order not to spoil the moment, but there’s nowhere to go because we’re are on a bus. So I pretend like I’m asleep and before long, I really am.

I wake up, the bus isn’t moving anymore. The domed lights that line the center aisle are all on. I turn and you’re not there. Then again a lot of kids aren’t in their seats anymore. We’re parked at the pick-up point, which is in the parking lot of a Methodist church. The bus is half empty. You might be in your dad’s car by now, your bags and things piled high in the trunk. The girls in the back of the bus are shrieking and laughing and taking their sweet time disembarking as I swing my legs out into the aisle to get up off the bus, just as one of them reaches my row. It used to be our row, on our way off. It’s Michelle, a girl who got suspended from third grade for a week after throwing rocks at my head. Adolescence is doing her a ton of favors body-wise. She stops and looks down at me. And her head is blasted from behind by the dome light, so I can’t really see her face, but I can see her smile. And she says one word: “destiny.” Then her and the girls clogging the aisles behind her all laugh and then she turns and leads them off the bus. I didn’t know you were friends with them.

I find my dad in the parking lot. He drives me back to our house and camp is over. So is summer, even though there’s two weeks until school starts. This isn’t a story about how girls are evil or how love is bad, this is a story about how I learned something and I’m not saying this thing is true or not, I’m just saying it’s what I learned. I told you something. It was just for you and you told everybody. So I learned cut out the middle man, make it all for everybody, always. Everybody can’t turn around and tell everybody, everybody already knows, I told them. But this means there isn’t a place in my life for you or someone like you. Is it sad? Sure. But it’s a sadness I chose. I wish I could say this was a story about how I got on the bus a boy and got off a man more cynical, hardened, and mature and shit. But that’s not true. The truth is I got on the bus a boy. And I never got off the bus. I still haven’t.”

Monday, January 30, 2012

Thom Browne, Freak.






I am loving his 2012 A/W Collection. Extreme shoulders and creepy auras on all the material. Hands down the best creep show scene!

J-P Gaultier 2012





2012 Jean-Paul Gaultier takes a Winehouse pinup approach, keeping it elegant as always!

Wednesday, December 7, 2011

I Want to Skate.




Arthur King, let's skate with all these rad things.

Gucci Rubber Chelsea Boots


Go dancing in the rain in your fantastic Gucci Rubber Boots and get all sexy wet. We wanna do it?!

Tuesday, November 22, 2011

We Are The Champions, of Comme Des Garcons.



A wicked twist as tradition and fashion collide into an high fashion accessory. We love em, we want to graduate from Comme Des Garcon.

Supremly Supreme on Front.


Kitty Lea for Supreme & Front Mag.

Wednesday, November 9, 2011

Agent Provocateur, Soiree





We're dying to get in and out of this collcetion, Soiree by Agent Provocateur is making us HOT!

Tuesday, October 18, 2011

Pornstars & Swag 4 Mishka




"Photographer Rae Threat shot a sexy lookbook for Mishka’s Fall 2011 Collection starring models Jessie Andrews and Andy San Dimas.

Jessie has this very babyish face and a grown up bod, kind of like an anime character. Andy looks a little like Olivia Munn crossed with Lara Flynn Boyle and makes incredible sounds when she’s getting boned on camera. Also she was in the porno parody of Glee and won an award for being the best lady porno performer this year."

A. McQueen A/W 2011





Dark and cutting edge, McQueen is represented lavishly by Sarah Burton while she is definitely doing her thing as the new Creative Head for the label.


Monday, September 26, 2011

abstract LESSCUAP




"Close Up and Private’s Sergei Sviatchenko’s made a new series entitled LESSCUAP. Combining elements from his LESS series, the aim of the series is to ‘take the attention of a spectator from the elements which are commercial objects into direction of abstract composition.'"


Johnnie Walker Drives Porsche



"Johnnie Walker and Porsche Design Studios, the two have teamed up for a special edition packaging for Johnnie Walker Blue Label which houses the bottle of excellence inside a made-to-order chiller and private bar. The Porsche Design casing features enough space to house a few glasses."




Orange Elephant In My Backyard


"This gigantic orange elephant was created by Javier Requejo. The elephant is made of polypropylene tied to a metal frame. The project took 8 months to complete."

Wednesday, September 21, 2011

Cheap Monday, The Super-Hero



Cheap Monday entitled their up and comnig eyeglass collection, The Super-Hero. We are loving the effects, not sure how bothersome on the face they'd be but we aren't going to complain, we want em!


Tuesday, September 20, 2011

Georgia May Jagger as Margaret Thatcher






God she's fantastic to look at. Rockstar with a touch of Lara Stone, that's what Georgia May Jagger has got going on and for Bazaar she's getting a little patriotic on us! We salute you and your beautiful gap tooth.

Thursday, September 15, 2011

NY Fashion Week: Jeremy Scott





Fun and flirty like always, we love your Jeremy Scott, and your appearence in New York was enjoyed!



Wednesday, September 14, 2011

Lara Stone as Elizabeth Taylor of V Mag




"It’s Lara Stone for V Magazine’s “Heroes” issue, worked on by Mario Testino and Carine Roitfeld, who used Elizabeth Taylor as the inspiration for a 72-page editorial." We miss Taylor, we love Stone. This is all geniuely beautiful.



Sally Lapointe 2012 Backstage




Thanks Sally Lapointe! "From concept to production her runway presentations are shows in the true sense of the word transporting attendees into another world for a few minutes. For Spring the inspiration revolved around decaying architecture, more precisely “The Renwick Ruins” in Staten Island, New York. Ethereal and bold, silhouettes are long and fluid with a succession of sharp and soft angles."